Left on Broadway: Pins and Needles and the Cultural Work of Labor Unions

This is an online event. Please visit here to register.

This paper is an excerpt from a book project that examines the musical revue Pins and Needles—a production of the International Ladies’ Garment Workers’ Union (ILGWU) which became the longest running Broadway show of the 1930s. Specifically, the paper examines how the unique feminist nature of the ILGWU and the emphasis on social justice shaped the cast of workers’ experiences during the rehearsals, as well as the content of the show, and how they navigated their unexpected stardom status to claim their place in American culture, celebrating working-class ideology of gender equality and solidarity.